Pitstain

Pitstain is a queer & feminist punk trio born in Boston, MA. Jules Ozone, on bass and vocals, loves melodic, spotlight-stealing basslines and distorted screaming blended with legitimate singing. Kelly Baker, on drums and vocals, is committed to a DIY ethos and writing heavy-handed lyrics about politics. Kathleen Silver, on guitar and backup vocals, combines meticulous riffs with fuzzy power chords. Imagine if Kim Deal, Meg White and Julia Kugel formed a band. In Boston. And were all super queer and wrote songs about the grind of everyday capitalism, mental health, and being hit on without your consent. The members of Pitstain met through volunteering at Girls Rock Campaign Boston, a feminist organization that empowers youth to make noise and take up space through music education. Self-described “polite punks,” the band members write all of their songs collaboratively and value respect and connection above all else in creative endeavors. 


QWIMB Q&A With Pitstain

Photo by Sasha Pedro

What brought you to Boston?

Jules: I originally moved to Boston for a relationship (0/10 would not recommend), but stayed to attend grad school for mental health counseling. I’m so happy now that I came here because it introduced me to an incredible community of musicians and friends.

Kathleen: I also moved here for grad school and part of why I chose my program is because of the location!

Kelly: I’m the outlier — I was born and raised in Boston.

Have you experienced a strong scene for Queer women in the city in terms of music/performers etc?

Jules: Most of my community comes from Girls Rock Campaign Boston, a community that is made up of many queer women and folks with other marginalized gender identities. I feel so lucky to be surrounded by so many people who share my identity, but outside of GRCB I can’t think of any queer women performers who I’ve met in the recent past.

Kathleen: Sadly, grad school demands have kept me from exploring the queer scene in Boston as much as I’d like. Most of my friends here are queer and/or musicians, but that’s probably a sampling bias on my part.

Kelly: When I was in my early twenties, almost a decade ago now, I was pretty heavily into the DIY punk scene in Boston — going to shows in Allston basements and all that. It was a super male dominated space. I felt unwelcome as a queer woman. It kind of chewed me up and spit me out. I didn’t go to local shows for a number of years because it was so triggering. I’ve gotten back into it again and have been so stoked to see how many queer, female, and/or POC folks are creating their own punk spaces and rewriting the narrative of who is centered in DIY spaces. I’m excited to contribute to it now.

Do you have any sense of a history of a Queer scene in the city?

Jules: I don’t at all. I just came here several years ago. According to my partner, Jamaica Plain used to have a thriving queer scene which diminished once rent skyrocketed in that area.

Kathleen: I really don’t but I’d love to learn more!

Kelly: Damn. This question really hit me hard… this is my hometown and I have no idea. That’s why QWIMB is so important — we have to archive & share & talk about queer stories.

Pitstain by Sasha Pedro

What made you decide to join a band?

Jules: I love playing music as an act of self-care, and I love collaborating with people who share my creative aspirations and worldviews. I’ve spent some time making music on my own but playing regularly with friends keeps me accountable and motivated to keep playing!

Kathleen: I’ve been playing guitar since middle school but always either in jazz band or by myself in my basement. I basically handed my best friend a bass and some No Doubt tabs and convinced her to learn so we could play together. We formed a band with our other good friend who is a drummer and after that experience, I didn’t look back! I have played in various bands since then but had a lull period for a few years, so I was SO excited to join Pitstain.

Kelly: It was a lifelong dream. But it felt super out of reach. By my late twenties, I honestly thought I was too old to learn an instrument. In 2017, on a whim, I attended Ladies Rock Camp and that blew my mind. I started teaching myself to play drums, joined this band, and here we are.

Are there any artists that you look up to or who have inspired your own music?

Jules: I started playing bass because I wanted to learn Kim Deal’s basslines from when she played with Pixies. I also draw a lot of inspiration from Kathleen Hanna; she describes her voice as “a bullet” shooting towards an imaginary target, and I think of my own voice in that way when I’m screaming lyrics at the top of my lungs.

Kathleen: So so so many, whether they’re an inspiration for their guitar, lyrics, general attitude, or all of the above. Some all-stars are Joan Jett, Debbie Harry, Shirley Manson, Emily Haines, Marissa Paternoster, and so many more.

Kelly: So many. I love listening to shit that blows up the idea of what a woman should sound like — you know, pretty and soft and shit. I get a lot of vocal inspiration from Brody Dalle (The Distillers), Stephanie Luke (Coathangers) and Marissa Paternoster (Screaming Females), for example.

Flier by Amber of Sapling

Do think things are getting better for Queer performers or are there still barriers to overcome?

Jules: Both! It seems like it has become more acceptable/celebrated to be openly queer as a musician over time, at the same pace at is has become more accepted in general society. Most of the bands I listen to, I listen to in part because they have queer members. I also see ways in which queer performers are held to higher standards than their straight counterparts, such as the queer band PWR BTTM being removed from all streaming services following abuse allegations while mainstream cis male performers continue making music despite numerous accusers coming forward for the same thing. 

Kathleen: What Jules said.

Kelly: Yeah, I think it’s still highly contextual. We seek out venues that are demonstrably queer friendly, we only book gigs with bands that we know (or know of) and have a good feeling about. That’s intentional. And it also feels like I’m in a cozy safe bubble of my own choosing. I think there’s a lot of privilege to that — as three white cis-women. There are lots of BIPOC artists and performers who might experience racism at some of the same venues that I probably consider “safe” or “good.” That’s a blind spot for sure. I look to organizations like BAMS Fest who are doing some dope artist organizing to carve out space for QTPOC folks in the Boston music scene.

What has been your proudest moment as a member of a band or as a musician in general?

Jules: I’m so proud of how our band writes music collaboratively and base all of our process and aesthetic on mutual respect and love for one another. I would not want to embark on any creative endeavor that didn’t double as an interpersonal bond with my creative partners. It is sometimes hard to maintain these values as stress and creative differences occasionally come up, but we stick to them regardless.

Kathleen: This was a long time ago, but I remember playing a show at this bar all the way back in high school with some other bands who were all dudes. I think it was my first show that was actually in “public” even though basically nobody came. I was setting up in the back and the manager forcibly grabbed my shoulder and was like, “No girlfriends allowed backstage.” It was immensely satisfying to shove his hand off me and show him my fist (marked B for band). That memory has stuck with me for over a decade.

Kelly: Oh my god, Kathleen, that’s the worst. Your response, though! Badass. For me, my proudest moment is just getting up on stage and doing it. It’s incredibly vulnerable and nerve-wracking and exhilarating, every time.

Flier by Kelly Baker

What advice would you give to a woman thinking about starting a band or learning an instrument?

Jules: Start out learning on your own! I think that many women/girls who want to play music feel that they need to be taught by a professional in order to learn the “right” way to play, and those professionals are often male musicians who teach in a didactic and intimidating way that does not always align with how people learn. Also, as women, we are socialized to be ashamed of any creative mistakes we make, which prevents us from learning because mistakes are so integral to gaining mastery. If you rock out alone in your room, you can make as many mistakes as you want and not feel judged by whatever bro thinks he’s been tasked with teaching you the “right” way to play.

Kathleen: Do it! Also, practice, practice, practice. It might take longer than you hope to get where you want to be but that just means you have more time to have fun getting to know your instrument. Practice for the process, not necessarily the outcome.

Kelly: You are not too old. Like, seriously, 65 is not too old. Or 30. Or 92. Or 15. The age you are now is the perfect age to pick up an instrument. There’s this obsession in our culture with doing things on a timeline. And that’s the least punk thing I can think of. Just go for it. Be sloppy, make mistakes, get weird with it.

Are there any other current or former bands or solo artists you would like to see featured by QWIMB?

Yes so many like: Palehound, Sidney Gish, and Oompa.


Social Media Links:

Instagram: @pitstainband

Facebook: https://www.facebook.com/pitstainband/

Hegemonix is Here

Hegemonix is the solo experimental electronic pop project of Ava Vex. They have been making music under different project names for a couple years now and identify as trans femme non-binary. They just released their latest EP “The Revolution Will Not Be Tweeted.” They make music to explore identity and politics and also to make people dance and have a good time.

Hegemonix in the studio by Ava Vex

QWIMB Q&A With Hegemonix

What brought you to Boston?

I’m from the area and have been an active member of the DIY music scene here for a couple years now.

Have you experienced a strong scene for Queer women in the city in terms of music/performers etc.?

Yeah a great DIY scene that’s accessible and supportive for people starting out playing shows and new projects as well as connecting online to book shows.

Do you have any sense of a history of a Queer scene in the city?

I know a little bit about clubs like Machine and Jacques Cabaret but nothing specific.

What made you decide to join a band?

I started making music and performing and putting it out independently when I was 12 and have kept doing since. I started making and recording music to experiment with sound and also to explore my identity and relation to the world around me, which I’m still doing.

In Studio By Ava

Are there any artists that you look up to or who have inspired your own music?

There are a couple of cis male musicians who have influenced me sonically for a while like Aphex Twin, David Bowie and Beck but right now I find a lot of female and trans pop musicians like Sophie, Charli XCX and Black Dresses to be inspiring in terms of exploring identity and sound in new and exciting ways.

Do you think things are getting better for Queer performers or are there still barriers to overcome?

I think things are getting better in terms of there being more widespread acceptance and understanding of trans and gender non-conforming identities but also there’s still work to be done to diversify fields like music production and live sound tech.

What has been your proudest moment performing music or as a musician in general?

My performances over the past year of being more openly queer and trans have been great and very inspiring for me and others from what I can tell.

Hegemonix Taken by Elsie Hupp, live at Caffeine Underground in NYC

What advice would you give to a queer woman thinking about starting a band or learning an instrument?

Personally I would say experiment and keep trying to find what works, just like I would say to people who are exploring their gender identity, there are no wrong answers, just options

Are there any other current or former bands or solo artists you would like to see featured by QWIMB?

Butch Baby or Prior Panic?

Check Out More From Hegemonix:

Hegemonix on Bandcamp: https://hegemonix.bandcamp.com

SoundCloud: soundcloud.com/hegemonix

Spotify: https://open.spotify.com/artist/2lqBThCgLAeJZvJ5Fk9hXX?si=rq_0RWRwQ1KQscefFAWR1g

YouTube: https://www.youtube.com/channel/UCPzL-zWjxPKhqEqaay9KhjQ

Hegemonix by Erin Eris Kangas, live at Trendy Shit Town in Roxbury MA

Here’s the link to the newest EP: “The Revolution Will Not Be Tweeted EP” https://hegemonix.bandcamp.com/album/the-revolution-will-not-be-tweeted-ep

Lyrics from the new Hegemonix EP “The Revolution Will Not Be Tweeted”

1. Revolution Is Gay

This is a double-edged song showing how a violent revolution can devolve into a sort of religiosity with the sing-song ending kind of substituting actual change, sort of an opiate of the masses obfuscating systemic changes. I imagined it as a queer Fight Club kind of revolt, like cis guys realizing their repressed gay and trans yearnings and finding solidarity in having gay sex instead of beating each other up in a masochistic display of irrelevance. Also for the record I don’t think Marx is wrong (that’s the narrator of the song speaking) although not entirely right but a useful figure to consider when approaching societal change and the emancipatory potential of labor. 

Well we burned all the factories tonight

Ran out in the street and had a fight

Pitting ourselves against one another

Hey man are you still my brother?

The police showed up and made a scene

Arresting us while we were peeing

On a monument of our boss

Guess it’s a symbol of our loss

I don’t care 

Anymore 

Revolution is here

We’re all queer

Well I’m sitting in a jail cell alright 

Talking to my comrades about our plight

Working class rebellion is the best

As long as you can pay the cost

The robot guards are on our asses

Telling us we’re unemployed masses

The revolt didn’t work and now we’re dead

This is the afterlife instead

All the time

We were lied to

Marx taught us wrong

Everything is a song

Sing for your life

Don’t be scared of the cause

Change everything 

Open up all your thoughts

Free love is here

If you want to be saved

Trust in the sound

Of your golden voice

Lyrics from the new Hegemonix EP “The Revolution Will Not Be Tweeted”

2. White Lies

This is a song that I wrote one morning after reading about the the Tulsa race riots, which I recommend reading up on here: https://en.wikipedia.org/wiki/Tulsa_race_riot

It’s been called “the single worst incident of racial violence in American history” as white authorities decimated what was then the most prosperous Black community in the U.S. I felt inspired to write the song to explore how racist systemic police violence is still very alive as we all know and to speak to how fundamentally violent the state is above and beyond supposedly “violent criminals.” I included a quote from the amazing Angela Davis from this interview: https://www.youtube.com/watch?v=iIDgDFvyeS8&t=8s

I was wary about releasing this song at first because it’s written from a place of purposeful ignorance, a somewhat conscious citizen who insights violence without considering the racial dynamics of the situation. I just want to clarify that I don’t directly believe what’s stated as “I” statements in these songs but rather wanted to illustrate a somewhat flawed point of view that might be the more common understanding of such events as peddled to us by the mainstream media. 

Woke up this morning

With tears in my eyes 

I couldn’t see through

All of the lies 

Hundreds dead in 

The city tonight 

Police killing whoever  

They like

We must maintain 

Law and order 

To have a story 

For the reporters

The citizens have 

Gotten unruly 

Time to show

The power of cruelty

White lies 

Black lives

Violence lives

In hearts and minds

They say that it’s 

A story in history 

So why is it such

A big mystery 

Black citizens 

Killed for resisting 

White powers

Still insisting 

We’re making 

A movie about it

Promotional 

Responses are rabid

Profiting off 

Tragedy like this

Is how we respect

Whoever resists 

We like

Bad times

Stories thrive

That surprise 

Angela Davis: 

“Because of the way

This society is organized

Because of the violence

That exists on the surface everywhere

You have to expect that

There are going to be such explosions 

You have to expect things

Like that as reactions

If you are black person 

Who lives and walks out

On the street everyday

Seeing white policemen 
Surrounding you”

Whatever man 

Race is dead 

Violence is fine 

As long as it’s mine

Lyrics from the new Hegemonix EP “The Revolution Will Not Be Tweeted”

3. Ode to the End

Haha the big finale and definitely the opposite of what I believe. This song is complete resignation and acceptance of the hegemonic order of understanding, that nothing can change and we should just accept societal decay and environmental collapse. No! Maybe there’s some acceptance towards the end of the song though, like transcendance through giving up and being born anew as an empty subject ready for sustenance through revolution, circling back to the first song on the EP. Shout out to Julian and the Strokes for inspiring this song and the first one, big inspiration and definitely someone whose fighting for truth in the face of lies and deception. Keep up the good fight and I hope you enjoy reading my lyrics and commentary! 

Endless wars

Burning Earth

We’re not gonna win

Anymore

The climate is done

It’s all a hoax

Like the moon landing

He says as he smokes

On a cigar

He bought from a store

Down the street

Next to the prison

Where they keep those

Who do not fit

Into the state’s

Definition of a citizen 

He wants you to cum

But you don’t care

Because you are

So debanoire

Part of the queer

Vanguard of hope

That will help us

Slacken the rope

All the

Time you spent

Is not 

Gone

It’s just part of

Experience 

That helps you

Move on 

Are you not

Entertained 

Anymore

Is this not

What you asked

For

What is this trauma

Processing grief 

Actor plays parts 

Reading out lines

I’m calling cut 

Redo the shot 

It was all wrong 

So I walk out

This movie is fucked

The plot is so bad 

It’s going nowhere

Now we’re all bored 

Talk to my shrink 

Who says hold on

Find a new cast

Rewrite the ending 

He wants a cut 

Of all the profits 

Withholds my pills

Until I sign off

Of course I agree

I’m not a fool 

Compromise 

Is my golden rule 

Finally

The grand

Premiere 

We’re all here

The audience

Just loves it

As they clap 

On cue 

Are you not

Entertained 

Anymore

Is this not

What you asked

For

Oh

The end

My friend

Once again

Oh 

The end

Begin

Pretend

Catch their next show at Outpost 186 on 2/14/20 with Fen Rotstein and Expletive. 

Say Hello to Fen Rotstein

Fen is a Latinx Jewish Trans woman making music and organizing shows in the greater Boston area. Known for a diverse body of work and a penchant for the weird, she’s found Boston to be immensely supportive, with a great deal of potential growth for its various scenes.

She got her start in the music industry at a young age playing to audiences around the country during the early days of the Brony fandom. Despite reservations and difficulties in a notoriously conservative scene, she was ultimately inspired by this burgeoning global creative network, and made use of her talents as a multi-instrumentalist and her years of classical vocal training to produce a wide body of work for the community in a variety of genres and styles.

Fen would go on to build a home and a network in Boston, MA, precisely the environment needed to spark a new burst of inspiration, both musically and emotionally. Through her Berklee education, Fen further developed a wide breadth of expertise covering composition, arranging, studio production, and engineering. And through her involvement in the local Rap, Rock, and Electronic scenes in Boston, she continues to explore vast musical landscapes, and hopes to increase her creative output and uplift the Boston music scene, a community that has supported her for years.

Photo by Echo Harris

QWIMB Q&A with Fen Rotstein

What brought you to Boston?

I originally headed out to Boston for school, but I’ve stayed here for the incredible music scene and the lovely queer community. It feels incredible to live in a city large and diverse enough for real connections to be made across various social, sexual, racial, and class-related boundaries; even more incredible to live in a city that’s also small enough for cross-city communities to become tight-knit, to grow while remaining close. Of course, the city and its various scenes have a whole lot of problems to work on, but there’s already such incredible momentum towards a better Boston; I’m overjoyed to get to stick around and see things develop!

Have you experienced a strong scene for Queer women in the city in terms of music/performers etc?

While it may not be the biggest scene in the world, queer women are absolutely leading it! Boston music and queer women are inextricably linked; the best organizers, the busiest and most successful musicians, the hardest working and most stunning artists…they’re all queer women out here! To see someone like Brandie Blaze, or Dez Decarlo, take off and really shine…it’s just incredible; their hard work in the Boston scene makes that possible. It feels like we’re at the start of a new chapter for queer women in Boston.

Photo by Totem Fahey

Do you have any sense of a history of a Queer scene in the city?

I’ll be frank, being a relatively newer voice in the Boston scene, it’s hard for me to draw upon my own personal experience to give an idea of the history of queer music in Boston. However, I think its safe to say that a relevant chapter in this history is being written right now. More queer women are standing up every day, more black voices are being heard and celebrated, more safe spaces are opening up. An explosion of rap, rock, and electronic music lead by queer women is waiting to happen as we speak!

What made you decide to join a band?

While I’ve been working as a musician in one way or another, either solo or in a band, for around 10 years now, I found myself primarily doing solo work from the get go here in Boston. After a few years of solo work, I eventually came to the conclusion that collaborating and exploring music with a team of people might be exactly what I needed to progress, both within the scene and within the narrative of my own musical development. I started joining and/or starting bands here and there, and now I’m happy to say that I’m playing with Violet Not, and Pregnancy Mask; 2 rad bands filled with lovely people~

Photo by Sheri Furneaux

Are there any artists that you look up to or who have inspired your own music?

Oh most certainly! it’s easy to rattle off obvious influences, I mean I could hardly avoid mentioning Nine Inch Nails, or The Gorillaz, or Phy Life Cypher, or Aphex Twin, but ultimately, I think it’s always a bit more interesting to talk about what someone’s listening to when they’re walking home from work, or going to the grocery store. To that end, I’ve been listening to a lot of The Garden, Japanese Breakfast, Soweto Kinch, Ollie Byrd, and Pieta Brown— Really solid releases, songs that bring a sense of healing that I think is somewhat lost from a lot of what’s on the radio these days.

Do think things are getting better for Queer performers or are there still barriers to overcome?

I don’t really think those two things are mutually exclusive; there will always be barriers, but things are improving! More and more queer people are finding themselves accessing fame and mainstream artistic success that has never been known by the out queer people of generations past. Large parts of the US government are, on a federal, state, and local level, fighting hard to reduce our liberties as members of the LGBT community, and the damage being done is undeniable. From the place of privilege that many of us, myself included, find ourselves in, it can be easy to forget that countless queer people are living day-to-day, facing homelessness, poverty, starvation, constant and active threats…the struggle is absolutely real, particularly for the Black people and POC that make up the most significant parts of our communities. But the tide is turning, and legitimate positive change is being made on a societal level; bigotry is increasingly difficult in a world wherein people are personally familiar and supportive of queer people and the LGBT community. This is the role that music and other forms of art and media can play in our liberation.

Photo by Sheri Furneaux

What has been your proudest moment performing music or as a musician in general?

That’s definitely the toughest question for me out of all of these. For me, my musical career has felt and continues to feel like a never ending quest of growth and creative output; proud moments come and go, good performances are followed by bad performances are followed by great performances. Playing to crowds of a thousand or more, going on national tours, these are all definitely accomplishments I’m proud of, but I think my favorite moments in my musical life have been found while teaching. Teaching music and having the chance to feel like I’m helping people better understand music, even themselves, is possibly one of the most cathartic things I get to experience. Is it super corny? Oh most definitely.

What advice would you give to a queer woman thinking about starting a band or learning an instrument?

Photo by Sheri Furneaux

Pick something up, anything that speaks to you. Block out naysayers, build your support network. Find your home, your family, and your practice space. Once you’ve got that, all you need to do is practice, and to build your relationships. The best thing about being queer, about being a woman, even in these tough times, is plain and simple: you have every reason to be friends, partners, bandmates, and family with your sisters. We can build, but only with each other; there’s nothing that will help you more than reaching out to the people around you, building relationships, and giving yourself to the art you love, no matter what form it takes. The first, most difficult step is allowing yourself to love something without shame. Once you’ve got that love, nothing can stop you.

Are there any other current or former bands or solo artists you would like to see featured by QWIMB?

Oh for sure; right off the bat, y’all should contact Dez Decarlo and Brandie Blaze, and the bands WIMP and Ansonia! They’re lovely people and performers all around, and they most certainly deserve the attention. There’s a whole lot of amazing and talented queer women in Boston; people with real roots in the scene, like Dez for example, act as an inspiration to many of us. There may not appear to be a scene packed to the brim with queer women, but there are so many of us slowly rising to the surface. I wouldn’t be too surprised to see things blow up in the next year or two. If you’re at all concerned about finding great queer artists, I can confidently say, you’ve got nothing to worry about~

Photo by Echo Harris

For more on Fen, read Fen’s Interview with Boston Hassle

You can find the FEN Instagram and Facebook here: https://www.instagram.com/ohfenfen/  |  https://www.facebook.com/ohfenfen/

You can find the Pregnancy Mask Instagram and Facebook here: https://www.instagram.com/pregnancymask/  |  https://www.facebook.com/pregnancymask/

You can find the FEN soundcloud here: https://soundcloud.com/f3nning

FEN’s band, Pregnancy Mask has a new album coming out soon! Buy the album on Bandcamp! You can find the Pregnancy Mask Bandcamp at the following link here: https://pregnancymask.bandcamp.com/

Pregnancy Mask has a show coming up 2/16/20: https://www.facebook.com/events/122825892324624/

Flier by Fen

Introducing Amber Sage

Bio: Amber Sage is a singer/songwriter, as well as visual artist from Boston, Massachusetts. Sage’s style is occasionally categorized as ethereal wave, but consists more so of signatures found in Neo-Goth Pop. 

Inspiration is often drawn from her experiences with romance; occasionally involving both sapphic and heteronormative themes. Depression/PTSD are also  topics woven in throughout Sage’s discography. 

Amber Sage by Joseph Ramah

QWIMB Q&A with Amber Sage:

What brought you to Boston?

I am from Massachusetts originally! I grew up here and have lived here for most of my life. The LGBTQ community here is very much a strong community locally and I’m lucky to live in a place where people are supportive for the most part.

by Joseph Ramah

Have you experienced a strong scene for Queer women in the city in terms of music/performers etc?

I feel like we are lacking representation of queer/trans/poc women in the local music scene and just women in general really. I do feel like the majority of LGBTQ representation is for white queer men and it would be a beautiful thing to see everyone be given the same amount of opportunity. I have been turned away from certain opportunities in the music industry that were then given to a man. 

Amber Sage

Do you have any sense of a history of a Queer scene in the city?

From what I have known, the queer community in boston was mostly underground around the 90’s and only in the 2000’s has it been a more widely known and supported thing. I feel like for a while there was not too many opportunities for queer folk.

What made you decide to join a band?

It was mostly my influence from 90’s grrrl bands that got me interested in doing music. I was in a few bands in highschool but none that were long term. My first real band was KK Slider (named after the animal crossing character). We were a band for about 2 years and then our guitarist moved to LA and things got a little complicated and I decided I wanted to pursue a solo career. My old bandmates are still in bands though that are really good!

Another reason why I make music – growing up I was always pansexual. I would fall for girls (and boys) and feel like I had no one to relate to and no love songs that felt accurate for me. I wrote a lot of my own songs about my first girlfriend at the beginning of my music career. And it was healing to write about that breakup.

Amber Sage by Joseph Ramah

Are there any artists that you look up to or who have inspired your own music?

So growing up I listened to a lot of “riot grrrl” music that was from the 90’s, a time when women’s rights were trivialized. Some of those bands were bands like L7, Babes in Toyland, and Hole. I found it to be be so empowering to see women out there being badass and fighting for equality. The only thing is I wish that there was again more representation for queer women and women of color. Was it progress for women to have that movement in the 90’s? Hell yeah. But there is still a problem where the narrative is mostly coming from women that are white or cis, and I think in 2020 we absolutely need to see more variety 100%. Also I love Kim Petras.

Do think things are getting better for Queer performers or are there still barriers to overcome?

I absolutely think there’s still barriers to overcome. More shows that feature LGBTQ people in general is needed in my opinion. 

What has been your proudest moment performing music or as a musician in general?

It hasn’t happened yet honestly.

by Daniel Nyman

What advice would you give to a queer woman thinking about starting a band or learning an instrument?

Do it! Life is too short to feel discouraged or to let fear hold you back

Are there any other current or former bands or solo artists you would like to see featured by QWIMB?

Lusus

by Joseph Ramah

Interviews with Amber:

http://bostonvoyager.com/interview/life-work-amber-sage/

Interview in Boston Voyager

Interview in Underground Vampire Club
Amber Sage
Amber Sage
Amber Sage

Check out Amber Sage’s music on Spotify.

Flight of Fire

Introducing: Flight of Fire!

Comprised of four vivacious, accomplished women, this dynamic and passionate band explores the musical textures of upbeat hard rock, emotional folk rock, and intricate progressive rock, creating the fresh sound that is Flight of Fire. Highly influenced by classic rock artists such as Led Zeppelin, Journey, Rush, Heart and The Who, as well as modern rockers like Halestorm, Paramore, The Foo Fighters and Evanescence, Flight of Fire has varied inspiration contributing to their unique sound – rooted in time-tested rock with a fresh, modern flavor. Equipped with a dynamic lead vocalist, belting beautiful melodies with power and passion; identical twin sisters creating a harmony of electrifying guitar leads and gritty bass grooves; and a woman of mind-blowing rhythmic inspiration keeping the pocket tight, Flight of Fire is a force to be reckoned with. They have opened for Bon Jovi, The J. Giles Band, The Michael Allman Band, Fitz & The Tantrums, The Strumbellas, Joywave, Alestorm and Lita Ford. Their awards include: Winners of Limelight Magazine’s “Opening Act Contest” 2016, Winners of Radio 92.9 Earthfest Battle of the Bands 2016, Winner of Limelight Magazine Music Awards’ “Band of the Year” 2016, New England Music Awards’ “Last Band Standing” Boston Finalists 2015, Hard Rock Rising 2015 Boston City-Wide Champions and Winners of the 2013 Fox Rocks Bon Jovi Contest to Open For Bon Jovi At Ford Field, Detroit.

QWIMB sent Flight of Fire some questions about Boston and Queerness and here’s what they had to say:

What brought you to Boston?

Our lead singer, Maverick, and our guitarist and bassist, Tanya and Tia respectively, moved to Boston in 2009 to attend Berklee College of Music. Our drummer, Kat, is from Dracut, MA

Have you experienced a strong scene for Queer women in the city in terms of music/performers etc?

We’ve been inspired by so many of the amazing queer organizations in Boston! We’ve been involved with the Dyke March, both in their fundraisers and at the Dyke March itself, and our good friends Unstraight and Mad Femme Pride put on the badass Big Queer Show, which is always a great community of people!

Do you have any sense of a history of a Queer scene in the city?

We’re relatively new to the scene, so we can’t speak to Boston’s queer history as well as others could, but as newbies, we definitely feel that there’s been a strong queer musical community here for a while. We love volunteering for the Ladies Rock Camp Boston (& Girls Rock Campaign Boston), which, while not an exclusively queer movement, is certainly a feminist, empowering org that has been inspiring women to break barriers and make noise!

Flight of Fire
Flight of Fire

What made you decide to join a band?

We’ve been committed to music since we were little, writing songs, studying and performing as much as we could, which brought us eventually to Berklee! Once we were there, we shared a dream of forming an all-female rock band, and Flight of Fire was born.

Are there any artists that you look up to or who have inspired your own music?

We have been greatly inspired by bands such as Led Zeppelin, Rush and Heart in terms of their instrumental/musical prowess and variety. Lzzy Hale from Halestorm inspires us with her leadership skills as a woman in the modern rock industry.

flight-of-fire-pride

Do think things are getting better for Queer performers or are there still barriers to overcome?

Both are true! Boston is one of the best places in the country to be a provocative person, and female queer musicians are breaking barriers just by being themselves! That being said, as an all-female band, we’ve received our share of persecution, from casual condescension and pigeonholing to outward harassment. There’s still hard work to be done.

What has been your proudest moment as a member of a band or as a musician in general?

A couple years back, we won a contest to open for Bon Jovi at Ford Field Stadium in Detroit, and that experience was one of the proudest and most motivating opportunities we’ve had!

What advice would you give to a woman thinking about starting a band or learning an instrument?

Do it! Don’t worry about being great, or even good. Just follow your inspiration. Don’t filter yourself too much – as women, especially queer women, we’re socialized to hold ourselves back every second of every day! Music and performance is about throwing off the status quo and disregarding anything that gets in the way of expressing your most powerful self.

Are there any other current or former bands or solo artists you would like to see featured by QWIMB?

Carissa Johnson, Unstraight, Viva Gina

Flight of Fire recently released their first music video! 

You can check it out HERE

The Legend: Thalia Zedek

Thalia Zedek was born and raised in Washington DC and Silver Spring, MD. She moved to Boston in 1979 and shortly thereafter began performing and recording with bands on the local punk/post-punk scene. In the 80’s she played with White Women, Dangerous Birds (Propeller Records), Uzi (Homestead Records, reissued on Matador) and the New York based Live Skull (HomesteadRecords, Caroline Records). After her stint in New York fronting Live Skull she returned to Boston in the 90’s and formed the band Come. Come lasted until 2000, releasing records on SubPop, Matador, Beggars Banquet and Domino and touring with Nirvana, Pavement, Dinosaur Jr., Hole, Swans and many others.

At the turn of the century she formed her own group, the Thalia Zedek Band (Matador, Kimchee Records,Thrill Jockey) who are still active to this day and whose 7th release will be out this August on Thrill Jockey. She also recently formed a new band called E, who are currently recording their first LP for Thrill Jockey and she performs live as a member of Dyr Faser and Animal Hospital Ensemble.(Bio courtesy of Thalia Zedek)

Thalia Zedek by Lana Caplan - TZ9260bwcrop
Thalia Zedek by Lana Z. Caplan

Thalia Zedek is truly a living legend and one of the finest voices in rock music today. Boston is lucky to have such a talented musician gracing its many stages. Thalia took the time out of her busy schedule to answer QWIMB’s questions on Boston scenes, Queerness, and being a musician. 

What brought you to Boston?

I initially came to Boston to go to school at Boston University. I lasted all of one semester before deciding that college was not for me, but in the meantime I had already joined 2 bands.

Have you experienced a strong scene for queer women in the city in terms of music/performers etc?

My very first band was called White Women. The other 2 women in the band Dolores Paradise and Judy Jetson were both lesbians and in a relationship together. Dolores Paradise was also the wife of, and had a child with, the infamous Lou Miami of Lou Miami and the Kozmetix, a well-known Boston queen who fronted a great rock and roll band.

Thalia Zedek by Lana Caplan
Thalia Zedek by Lana Z. Caplan

Do you have any sense of a history of a queer scene in Boston?

Because of my association with White Women and Lou Miami I was thrown right away into the queer punk scene. The music scene that was based around Cantones and Maverick’s was full of queers, trannies, lesbians etc. Human Sexual Response, Plastic Warsaw, Mark Thor, Lou Miami to name a few. I also kind of remember all of those bars being managed and booked by lesbians. Joan Martin who later managed my band Dangerous Birds booked The Space, and Marlo MacDonald Nagy managed Cantones, to name a few. When I first saw Nan Goldin’s book “The Ballad of Sexual Dependancy” I recognized a lot of those people. I think those photos were from that same scene but probably 5 or 6 years before I was there.

A few years later Marianne Peacott and some others started Rock Against Sexism as a response to the Rock Against Racism movement that was happening in England. I would go to their monthly Tea Parties that were held at a gay bar called the 1270 and loads of local feminist bands would play and the DJ would play punk and post punk music. Most of the women who went were lesbians and there was a really big punk lesbian scene that came out those “Tea Parties”

E by Hanna Rose Shell
E by Hanna Rose Shell

What made you decide to join a band/start performing?

For as long as I can remember I always loved playing music and wanted to be in a band. So I was always trying, but hearing Patti Smith sing Gloria on the radio at 16 was a HUGE moment for me! I went to high school in Silver Spring and I started a band with a girl I met in high school who is now known as Azalia Snail. We bonded over Patti Smith in art class. She was also a huge punk fan and she also turned me onto a ton of other cool bands like Xray Spex and Sex Pistols.

Are there any artists that you look up to or who have inspired your own music?

Patti Smith, Leslie Woods from the Au Pairs, The Raincoats, Pat Place (guitarist for the Bush Tetras and The Contortions) Lydia Lunch, Nick Cave, Velvet Underground, The Birthday Party, Circle X…

Thalia Zedek by Lana Caplan
Thalia Zedek by Lana Z. Caplan

Do think things are getting better for queer performers or are there still barriers to overcome?

I think that things are a lot better these days for queers in general, but of course there are still barriers and prejudices to overcome. Especially for women, because there is till SO much sexism in “rock” music.

What bands are you currently performing in?

Thalia Zedek Band, E, Dyr Faser

Thalia Zedek Band by Tamara Bonn
Thalia Zedek Band by Tamara Bonn

What has been your proudest moment as a musician?

There has been a lot of them, but there have also been some embarrassing ones!

What advice would you give to a woman thinking about starting a band or learning an instrument?

Do it because you love it and not for any other reason. But if you really love it don’t give up, even when it gets tough. There will be a lot of ups and downs if you really want to do this music/band thing, and you just have to learn to roll with them.

 

2-25 The Lizard Lounge
2-25 The Lizard Lounge

Check Out Thalia on Tour In 2016:

  • Feb. 25th at the Lizard Lounge, Cambridge- Thalia Zedek Band with Brian Carpenter and the Confessions
  • Feb. 27th at Troost, Brooklyn NY- Thalia Zedek Band
  • Feb. 29th at Charlies Kitchen, Cambridge- E with Far Corners
  • March 12th at Midway, Jamaica Plain- E with Fur Purse, Geoglyphs and Medical Maps
  • March 15th at The Sinclair- E with Tortoise and Mind Over Mirrors
  • March 18th at Cake Shop, NYC- Dyr Faser with Minibeast and Platinum Vision
  • March 26th at Out of the Blue Too, Cambridge – Dyr Faser with a zillion others!

For More Info:

Say Hello to Solo Sexx

Bio:

Forged deep in the psychedelic undertow of UMass basements, sticky floored queer clubs, house parties, porches, and backyards, Solo Sexx has been serving rude and riotous Salt-n-Pepa-meets-Buzzcocks-meets-Shangri Las realness since 2008. Since then, they’ve glittered and grinded all up over New England and beyond, performing at the Boston Freedom Rally, touring the East Coast, rocking festivals and events for the likes of Girls Rock Camp Boston, the Human Rights Campaign, Yes All Women, and more–all while bringing their unique brand of fearless flavor to audiences who leave wondering how they ever survived sans-Sexx. With a fearless sense of humor and a no-holds barred attitude, Solo Sexx turns the hip-hop hypocrites on their head and leads fans to a whole new horizon: with home cooked beats and outta sight rhymes covering everything from being broke (not for long), being white (last they checked), and being free to perform the self pleasure their name is shouting, Solo Sexx proves that the alternative to the add-water-and-stir rap chumpitude is funkier, fresher, and just plain sexxier than ever before.

QWIMB Q & A

What brought you to Boston?

Heather Mack: I grew up in the ‘burbs, moved out to Wild Western Mass to get weird for 5 years, then when I graduated from UMass decided it was time to take my chance on the “big” “city” of Boston. I’ve been here ever since!
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Have you experienced a strong scene for queer women in the city in terms of music/performers etc?

Heather Mack: I think Boston is incredibly lucky to have a fierce faction of queer feminist badasses involved in all aspects of artmaking, from promotions to production to burlesque to punk rock and everything in between. The best part is, although the queer scene is relatively small, people are LOUD about it–in one week you might have Queeraoke, WTFQueerlesque, and Pink Noize, all unapologetically loud and raucous queer, feminist events happening at all different parts of town. And for the most part it’s pretty inclusive, like a big weird rainbow family you just might not have met yet. We freaks tend to stick together, and it makes a big difference.

Do you have any sense of a history of a queer scene in the city?

Heather Mack: The first “queer” event I ever attended in the city was probably Rocky Horror back when it was in Harvard Square–I was just a little tyke back then! Since then I’ve felt incredibly blessed by all of the opportunities I’ve had to be involved in the queer scene, as a performer and as a fan. I’m not so sure about the scene’s “history”, since I didn’t really start identifying as queer until college out in W.Mass where I frequented queer events for the first time, and only since coming to Boston about 5 years ago have I gotten really involved in this scene in particular. Either way, I’m pumped to be out here making new queer history with so many awesome artists and visionaries, and I gotta say, the future’s looking bright!
Julezcloseup

What made you decide to join a band?

Julez:Being around creative people during those crucial college years who were also experimenting with music and constantly producing art of all genres. For me, the beats came first and I owe a lot of my early inspiration and motivation to that core group of creative friends.

Heather Mack: Julez really says it best, we were just incredibly lucky during our college years to have been part of a chaotic cotillion of psychedelic musicians, artists, visionaries and weirdos that had our own unique culture and community where everyone was not only free, but encouraged to experiment with everything, especially art. I had started a punk band when I was in high school called The Bush Administration and even though we didn’t take ourselves seriously I was really addicted to the feeling of shocking people onstage with something they didn’t expect, or would otherwise dismiss. I also already had an instinct for having a fully female fronted band performing songs that were filled with innuendo, and that riotous, raunchy energy provided the foundation for my later music.  In college I was part of a crew of dudes who were into hip hop and freestyling, then Julez transferred to UMass and everything got kicked into overdrive. She went home for winter break and taught herself to make beats, by the time she got back we were writing songs for just the two of us. That’s when we created “Solo Sexx”–the name is a reference to going solo, pleasing yourself first, and knowing that sometimes you just gotta do it on your own, you know?

Are there any artists that you look up to or who have inspired your own music?

Julez: DJ culture has always been a big influence on me. I was always trying to recreate the way DJs mix different sounds and samples together. So our beats reflects that.

Heather Mack: AAAH! So many. Rupaul, Kate Bush, GG Allin, TT The Artist, Rye Rye, Santigold, MIA, Buzzcocks, 90s house divas, Cakes Da Killa, PWR BTTM, David Bowie, Amanda Palmer, Missy Elliott, Downtown Boys, Mykki Blanco, Big Freedia, the Shangri-Las–bands who challenge the status quo, defy gender roles, and just make badass music that challenges you to think critically while also having an absolute blast on the dance floor.

Do think things are getting better for queer female performers or are there still barriers to overcome?

Heather Mack: The internet is bringing things to a whole new level in a really positive way–I think queer female performers are getting much more visibility, and more and more celebrities are coming out as genderqueer and trans and sexually fluid, so that’s helpful in terms of breaking down old narratives and stereotypes around gender and sexuality. I also think there’s been a push to create intentional queer DIY spaces where those artists are not only welcome, but explicitly sought out and celebrated. The more visibility there is, the more we are able to give permission to other queer female or trans or genderfluid artists to be fully, wildly themselves–and to support one another in the process. I’m also pumped that venues tend to be really open to having queer events or having queer identified bands perform, and I’m happy to be able to host events like that too–like our upcoming Queer Women in Hip Hop night.

closeupHeatherYAW

Are you in any other bands?

Heather Mack: Nope! But I am in the Boston League of Women Wrestlers.

What has been your proudest moment as a member of a band?

Julez: Performing on stage at the weed rally in Boston a few years back! Such a huge crowd- felt like a rockstar.

Heather Mack: My favorite part of being in a band is the reactions we get from the crowd. Although every single show we invariably have some crew of (usually) dudes come up and say some version of “I thought you were gonna suck, but you were amazing!” and it’s always satisfying to know that you smashed a stranger’s perception of you, that’s not what makes me proud. What’s really incredible is when young women come up to us and tell us that we showed them that it’s possible to be a woman who raps and rocks crowds, and that we inspired them to try to make music too. As much as we do it for ourselves (hence the name, again), those moments are what sustains us and make us really proud of what we’re doing. That’s why we also love to do events for badass organizations like Yes All Women, Human Rights Campaign, and Girls Rock Camp Boston–because we know we’re offering up our art to help contribute to a positive, supportive community where people of all genders and sexualities have the resources they need to rock out in whatever way they choose.

What advice would you give to a woman thinking about starting a band or learning an instrument?

Julez:YOU HAVE NOTHING TO LOSE! Seriously don’t be afraid to take that first step, and don’t doubt yourself too much. And if you’re lucky and the ideas and creativity starts flowing early on DON’T SLEEP ON IT! Make the most of it- it’s a precious commodity.

Heather Mack: DO IT! Make mistakes. Write a song, then scribble it out and start over 20 times. Then stop scribbling things out and embrace every flaw as a foundation for something fabulous. Go see local shows and discover new heroes. Make friends with your heroes. Book shows with your heroes! Don’t wait for other people to do things for you–learn everything you can by throwing yourself into it. If you feel like there aren’t enough cool venues in Boston, create one. If bookers don’t want to book a hip hop show, bypass them and book shows yourself. Make other amazing friends who create weirdo art and love you for it and hold you accountable to your aspirations. Be reckless, fearless, and bold–even if you’re terrified. There’s no time like the present–and life’s too damn short to be boring!

Are there any other current or former bands you would like to see featured by QWIMB?

Heather Mack: Check out Afro Panther (iamafropanther.soundcloud.com) and Billy Dean Thomas (facebook.com/billydeanslist), two artists who will be performing along with us at our upcoming Queer Women in Hip Hop showcase at the Lilypad, January 30th!

For more from Solo Sexx:

Q & A with Reba of the Kitschenettes

reba
Reba

The Kitschenettes are a 4 piece, “quiet grrrl” band based in Somerville and Jamaica Plain. All four band members are long-time volunteers for Girls Rock Camp Boston and all have been active in the Boston music scene for many years. Band member, Reba Mitchell, was kind enough to answer some questions about Boston and queerness for us.

scene? Has it changed over time?

RebaI’m not really sure how to identify the queer music scene. I mean, I know a lot of local musicians who identify as queer, but I’m hesitant to slap that label on their bands because of it. I’m also not super in touch with local music. I am, however, in touch with cable tv, snacks, and going to bed early on weekends. Is there a Queer Women in Pajamas blog?

What brought you to Boston? Are you local?

RebaI came to Boston because New Hampshire is terrible. Kathleen went to school in Boston, and she is from New York. Ashley is from the area. Slamber has lived in California and Texas, but has been in Boston for some time.

Artists inspired you personally or musically?

RebaWhen I was 15 or so, I was fortunate to have been introduced to a lot of riot grrl/queercore bands. The Internet had a lot to do with that– I was really into Lookout! Records and pop-punk stuff, and somehow that lead me to riot grrl chat rooms on AOL. I met a lot of people that way– some of whom are still my best friends. I was hugely influenced by Team Dresch, The Third Sex, Helium, Bikini Kill, Excuse 17… but at the same time I was also listening to like, Steely Dan. So I can’t pretend that I was ever really that cool.

What do you want people to remember about your band in the years to come?

RebaWe all met as volunteers for Girls Rock Campaign Boston, which –I think it’s safe to say– has inspired all of us to play music. Personally, I had a few years where I stopped playing music… for stupid insecurity reasons. Playing music with Slamber, Ashley, and Kathleen has allowed me to relax a little bit and just have fun. For once I’m not thinking about how I look on stage, or if the audience is dancing or not, or if the audience even exists in the first place. It’s just fun. I hope that people pick up on that and are inspired to start a band of their own, the way that GRCB bands have inspired us.

Why did you join a band and what instruments do you play?

RebaAfter a session of Ladies Rock Camp (a GRCB fund-raiser) had ended, I found myself inspired but also kind of restless. I saw a lot of talent and was given this new energy during Camp, and I wanted to keep it going. So we (our original drummer: Tanya Palit, Ashley, Kathleen, and I) just got together and played some cover songs one evening. We didn’t have any expectations other than to challenge ourselves and maybe build some new friendships. Tanya (<3) had to step away from drums to focus on some other projects, so Slamber joined us just after our first show.

We rotate vocals and instruments in the band. Ashley, Slamber, and I move between guitar/bass/drums– for selfish reasons… so we don’t get bored. Kathleen keeps anchor on keys because she is better at it than any of us. I’ve learned a ton from watching Slamber play drums and guitar. And Ashley is always encouraging us to move around and loosen up on stage. Kathleen has pipes like woah. It’s great to be able to try new things and learn from each other.

female members we should know about?

RebaI’m hesitant to pigeon hole anyone if they don’t feel comfortable with the label. I guess I’d just encourage people to support women in music in general… or just support women in general… and we’ll all benefit from it either way.

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Cuisine en Locale on Highland Ave in Somerville.

Meet: Band Without Hands

Band Without Hands was a plan hatched in Vacationland… which quickly grew from Brien Sweet and Jess Jacobs working with samples and drum machines to a rock monster additionally fueled by Nick Martinelle’s double kicking feet and John McKusick’s guitar wizardry. Brien and Jess have written and performed together off and on for more than a decade, with this recent project being a much needed outlet for strong emotions and responses to our very complicated world. At once political and emotionally vulnerable, the hard rock fabric is interwoven with elements of new wave, industrial, and trip hop, creating a unique sound that blows doors off venues and minds out of skulls. With members influenced by pretty much every genre under the sun, Band Without Hands draws from a vast palette to create cohesive, intriguing, adrenaline-fueled social and emotional commentary. BWH is independent in the sense that they self-record, self-produce, and self-promote, and work damn hard at it. The band loves playing live, loves supporting our brothers and sisters in our beloved music scene, and loves connecting with area musicians and music lovers alike! (Bio Courtesy of the band)

QWIMB asked band member Jess Jacobs to answer some questions for us, and here is what she said:

What brought you to Boston? 

Most of us grew up in the area; Jess and Brien grew up in Merrimack NH, John in Pepperell MA, and Nick on Long Island. It was a natural migration from Southern NH for us art and music (and queer culture!) seekers.

Have you experienced a strong scene for queer women in the city in terms of music/performers etc?

I have met many queer lady performers, but I haven’t yet experienced a solidly organized community in that sense – we perform frequently with Unstraight, an all-queer band, (catch us both June 6th at Copperfield’s for a seriously awesome pride kickoff party) but I would love to start or contribute to a more formal organization of us queer entertainers.

Photo by Lindsey Boyer
Photo by Lindsey Boyer

Do you have any sense of a history of a queer scene here or is the past a faded memory?

It seems to me that there were a lot of scenes here that somehow have dried up after years of corporate takeover and rising property values. Everybody suffers when the art/music scene is starved out of existence, but I think it impacts the queer community heavily because they are typically very intertwined. I also think that the queer community suffers the same plight. I remember going to places like ManRay when I was younger and it was such a great place for everyone to have, and nothing has really come along to replace it. I’m sad to see local venues disappear or get absorbed by national interests, and I’m sad to see places being forced out of business by circumstance and lack of revenue; I guess it’s hard to compete with Netflix. But the people that ARE out seeing shows, buying merch, playing indie bands on their radio shows and car stereos, spreading the word about great art and music, all of us together are building this really vibrant and friendly community and it’s very exciting.

What made you decide to join a band?

I never decided to join a band, per se. I’ve been playing and writing music for more than two decades, so it’s always been a part of my life. This particular band, I came back from living far away for a number of years and really wanted to take the reigns and all of my experience with the industry and see what the hell I could make happen. Brien and I happened to grab a beer very soon after I was back in town and he wanted to do the same thing, so we teamed up.

Are there any artists that you look up to or who have inspired your own music?

Absolutely! I personally really look up to bold artists who aren’t afraid to challenge the norm in terms of musical style or message. Trent Reznor, Zack de la Rocha, Tori Amos, PJ Harvey, Bjork, Karen O. I grew up listening to lots of new wave and electronica, along with 90s rock, Alice in Chains, Smashing Pumpkins, that kind of thing. There’s also a huge chunk of ambient, like Boards of Canada, and classical music, primarily modern classical, from playing in concert bands and orchestras. It’s a widely varied pastiche, for sure. Tegan and Sara are a recent acquisition in my catalog (amazingly, I know, where have I been), and I really look up to them as queer performers and songwriters.

photo by Lindsey Boyer
photo by Lindsey Boyer

Do think things are getting better for queer female performers or are there still barriers to overcome?

I definitely think things have gotten better, and are getting better, but there will always be certain types of harassment – and that’s true regardless of sexual preference. I’ve played shows and been followed around by the – to put it nicely – very typical dude who won’t respect your sexuality for hours, and it gets to a point where you feel unsafe sometimes, so we all have to stick together. I started carrying a pocket knife, for what it’s worth.

Are you in any other bands?

I am not in any other bands at this time; however, I’m working with Unstraight on their upcoming release, doing production and mixing work.

What has been your proudest moment as a member of a band?

I honestly continue to experience my proudest moment every time we step on stage. We put in a lot of effort and the payoff is huge, when I see the audience having a great time – that’s the most proud I’ll ever be, always. It’s not a one sided satisfaction, like “oh, i’m playing my songs on stage” – we’re there to facilitate a great time and hopefully connect with people, remind everyone of the all too oft forgotten universal bonds that hold us all together like loving arms. And maybe, just maybe, inspire questioning of authority and culture.

photo by Lindsey Boyer
photo by Lindsey Boyer

 What advice would you give to a woman thinking about starting a band or  learning an instrument?

Cliche, but don’t be afraid what anyone else thinks, especially not in the beginning, whether of an instrument or of a band. Find your bond with an instrument – find that texture that just draws you in, soothes you. The love you pour into an instrument – or band – like that, it feeds that bond. Then when you go to step on stage, you won’t be terrified and nervous, because you know you can rely on your instrument and/or your band.

 Are there any other current or former bands you would like to see featured by QWIMB?

Unstraight and Petty Morals come to mind!

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Want to hear the band Play Live?

upcoming shows: (2014)

5/24 Opening round of FSA Rompetition at Dover Brick House, Dover NH

6/1 Midway Cafe (matinee show)

6/6 Copperfield’s with Unstraight and Mad Femme Pride – Pride kickoff!

Check them out online:

Get their album here:

bandwithouthands.bandcamp.com

Want another interview?:

recent interview with Vanyaland: http://www.vanyaland.com/2014/04/28/interview-band-without-hands-bands-without-hands-music-make-video-games/